Simeraシリーズのレンズは、Sony、Nikon、Fujifilm、Canonのカメラに対応するさまざまなマウントシステムのオプションを追加し、汎用性を高めています。
- 洗練されたエルゴノミクス、流れるような精度
- クラシックなDOFインジケーター
- 多様なコントロール、直感的な調整--クリックとデクリック
- 大口径f1.4
- 卓越したディテールのための最先端光学
Simeraシリーズのレンズは、Sony、Nikon、Fujifilm、Canonのカメラに対応するさまざまなマウントシステムのオプションを追加し、汎用性を高めています。
受け取り可能状況を読み込めませんでした
We expect to ship within 7 days, with the exact delivery time varying depending on your location.
Shipping cost and timeliness.
For international orders, customers may be required to pay tariffs and import taxes as dictated by the destination country's customs regulations.
These charges are determined by the customs authorities of the destination country and are not included in our product prices or shipping costs.
The lens features 3 high-refractive-index (HRI) elements and 1 aspherical element to eliminate field curvature and spherical aberrations, ensuring outstanding resolution. A minimum focusing distance of 0.45m opens up creative possibilities.
Its floating element design guarantees exceptional sharpness throughout the focusing range, while the 14-blade aperture delivers smooth, rounded bokeh.
The Simera 28/35/50mm lenses are compatible with φ49mm UV filters. When both the lens hood and the UV filter are installed, they can be compatible with thin UV filters with a maximum diameter of 51.4mm, such as the "MC UV series" of MECO. The Simera 75mm lens is compatible with φ58mm UV filters and allows to install mainstream UV filters together with the lens hood.
The focus tab cannot be disassembled. Since disassembling or assembling the focus tab involves the internal structure, it may damage the lens.
There are no electronic contacts on Simera lenses. They are manual lenses.
When the lens is installed on the camera, toggle the block on the front of the lens. Toggle to the left, a moon symbol represents the lens is stepless ; and a sun symbol represents stepped aperture if toggling to the right.
The equivalent focal length = the focal length of the lens × the conversion coefficient. For example, when a 50mm lens is used on an APS-C camera, the actual perspective obtained is 50mm × the format conversion coefficient of APS-C cameras. Usually, the conversion coefficient of Sony and Nikon cameras is 1.5, and that of Canon cameras is 1.6.